OUTPOST recommends 4TH AUG RIC'S

Trent Whitehead

trent whitehead's solo shows 'the thinnest of betweens' from trent whitehead on Vimeo.

Video for Trent Whitehead’s new show.

Sydney

Thursday 22nd July 6.00pm

Monster Children Gallery
20 Burton St Monster Children

¥ª₰ ¥∀₰ §฿₣∑₦₭$

Always worth a look.
jahjahsphinx.blogspot.com

MAN LOVE

%-)

Our mate Max

outPOST STEREO

Diary Date

Footage from our event last Thursday~thanks Jordan!!!!

I Used To Skate Once: 6 from Jordan Bond on Vimeo.

incase

New Incase bag delivery in-store now.

Skate Pack


Messenger


Compact Backpack

Skate show

What a big night. Thanks to everyone who came along.
Photos are slowly coming in and being put up on the blog.
skateonce.blogspot.com
skateonce.blogspot.com
skateonce.blogspot.com

Wooooo in-store now %-)

issue #6


issue #5


issue #2


only $15 Aud

Spike Jones

Just in, Spike Jones zine from his beautiful short film "i'm here".

Spike Jonze "I'm Here" from BLAST on Vimeo.

48 Pages
11.2 x 17.8 cm
Color Offset
First Edition
2010

FOURTHOUSAND

Many thanks to FOURTHOUSAND for the show write-up!
Porous Walker interview HERE
Subscribe HERE

1986 Mix-tape by The Outpost
Oh, I also did a mixtape of songs that I had on high rotation in 1986, for their latest issue and answered a few questions HERE.

New titles

As Above So Below
Will Sweeney (London, UK)

16 Pages, 19.5 x 25.5 cm, 5 Color Offset, First Edition, 2010
$17 Aud

As Above So Below is a visual narrative based on a series of randomly selected photographs from my collection of National Geographic Magazine, dating between 1940 and the present day. The idea was to take visual motifs from a version of the real world and push them into the realm of the subconscious, a kind of dream generator. Dreams are made up of fragments of experiences, elements of stories which when laid side by side, often become striking or fantastical. Using a random number generating website I created a series of numbers. Each series became a month, year and page number, which were then cross referenced with a corresponding magazine. The first image that came up was from an article describing an archeological dig at a Corsican pagan tomb, the second a photograph of temple street market in Hong Kong, other references came up with pages of text and I would fix upon a phrase or name which conjured up an interesting image – such as an unfinished castle, upon an island or an animal shedding it's skin. The theme of crossing dimensions and of an event happening simultaneously across the world emerged. The title comes from medieval hermetic philosophy, and relates to the alchemical relationship between microcosm (the body) and macrocosm (the universe).

After graduating from London's prestigious Royal College of Art in 1998, Sweeney embarked on a prolific illustration career; he’s doodled for the likes of Silas & Maria, Levi's, and Stüssy, and appeared in the Gas Book series, The Face, and Sleazenation. Musically, he has made his mark as a guitarist for XL Recordings’ Zongamin (the brainchild of frequent design collaborator Susumu Mukai) and by designing album art for Beck, and Architecture in Helsinki, whose Places Like These cover he spun into a full art show in Melbourne, Australia. Of course, there’s the veggie-filled Tales From Greenfuzz series of comics and its attendant toys, plus his label, Alakazam, an optical acid bath of dancing pharaohs and voodoo jukeboxes from the future past.



Baku & Back
Ingo Giezendanner (Zurich, Switzerland)

176 Pages, b/w Offset
13.2 x 18 cm, First Edition
$35 Aud

"This summer, inspired by a cultural exchange program with the Caucasus,
I travelled by land from Zurich to Baku and back. My objective was to document the journey with pen on paper. Though the culture exchange eventually did fail, the experience was intoxicating to my pen and I. The drawings capture the gradual change of scenes from Switzerland through the
former Yugoslavian states, Bulgaria, Turkey and Georgia before finally arriving in Azerbaijan (to travel back again just see the book backwards). This is my statement to go out, see the world and avoid airplanes. Take your time and enjoy the view on your train ride."

Ingo Giezendanner alias GRRRR, December '09

Since 1998 Ingo Giezendanner documents his surroundings with pen on paper. He produces zines, murals, books, exhibitions, video clips and maintains a website (GRRRR.net) to create his own world.